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・ Henrykowo, Masovian Voivodeship
・ Henrykowo, Ostróda County
・ Henrykowo, Podlaskie Voivodeship
・ Henrykowo, Środa Wielkopolska County
・ Henryków
・ Henryk Grabowski
・ Henryk Grabowski (athlete)
・ Henryk Grohman
・ Henryk Grossman
・ Henryk Gruth
・ Henryk Grynberg
・ Henryk Grzybowski
・ Henryk Gulbinowicz
・ Henryk Górecki
・ Henryk Górski
Henryk Hechtkopf
・ Henryk Hilarowicz
・ Henryk Hochman
・ Henryk Hoser
・ Henryk Hryniewski
・ Henryk Ignacy Kamieński
・ Henryk IV Probus
・ Henryk Iwaniec
・ Henryk Iwański
・ Henryk IX
・ Henryk Jabłoński
・ Henryk Janiszewski
・ Henryk Jankowski
・ Henryk Jasiczek
・ Henryk Jaskuła


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Henryk Hechtkopf : ウィキペディア英語版
Henryk Hechtkopf

Henryk Hechtkopf ((ヘブライ語:הנריק הכטקופף); April 4, 1910 – July 2004) was an artist, painter, and illustrator.
==Biography==
Henryk Hechtkopf was an artist whose legacy is a rare collection of paintings in a variety of media, as well as illustrations for many children's books and Stories of The Tzadikim. Henryk Hechtkopf's work encompasses a range of subjects and artistic styles: biblical scenes and portraits, surrealism and abstract expressionism. His work is interesting not only by its own merits but because of the life story that stands behind it.
Henryk Hechtkopf was born to a Jewish family in Warsaw in 1910, the younger child of two. His father was a merchant, and his mother a midwife. Hechtkopf studied in the Hebrew Gymnasium "Chanoch" and then in Warsaw University. After obtaining his law degree, Hechtkopf became the first Jewish jurist to article at the Polish Supreme Court.
From early on, his artistic talent was evident. At the age of 23, his work was consistently selected to appear in the exhibitions of the "Jewish Society for Promotion of Art." Hechtkopf was also a filmmaker. He was involved in the making of several films before the outbreak of World War II, including Poland's first animated film.
While Hechtkopf's work was always very strongly informed by his Jewish background, drawing on religious symbolism and Jewish life in the Shtetl, his experiences during WWII were to have a profound impact on his work. At the beginning of the war, he retreated with the Polish army east into the Soviet Union, where he was captured and sent to work in a series of forced labor camps. After the war, he returned to Poland to find that his whole family had been massacred in the Holocaust. Hechtkopf 's drawings in the weeks following his return to Warsaw portrayed the ruins of the ghetto and the city which surrounded it. Twenty-four of these works were purchased by the Yad Vashem Holocaust memorial in Israel. Yehudit Shendar, the art curator of Yad Vashem has commented on the strong impact that Hechtkopf's work has on the viewer, as a first-hand account of destruction and despair. Hechtkopf designed in 1949 the first Polish stamp commemorating the Holocaust, and won first prize in an international competition for posters on the theme of Holocaust and heroism.
After the war, Hechtkopf was offered a position as a judge in Warsaw, but decided instead to move to Łódź, which was then the center of artistic life in Poland. In Łódź, he met his wife Alicja Zielinska. She has a sister Teresa Materne (Zielinska), who lives in Łódź (Poland) to this day. When his wife died in 15 September 1989, Henryk keep good contact with the wife's sister.
He helped establish the Jewish artist's society in Łódź, which he headed from 1946 to 1950. He also taught film at the Łódź film school, where Roman Polanski numbered among his students. Before leaving Poland for Israel in 1957, Hechtkopf directed together with Jan Batory, Poland's first post-war non-documentary successful film, "Forbidden Melodies" (1956).
Upon his arrival in Israel, Hechtkopf settled in Bat Yam, where he remained for the rest of his life, working as a painter and as an illustrator of books. While he employed different styles and techniques, his strong sensitivity and particular identity are evident in all his work. His wife died in 1989. Henryk Hechtkopf died in July 2004, at the age of 94. While they left behind no heirs, Hechtkopf claimed that his paintings were his children.

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